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the format // 007

A silent disco is the most accessible dance floor we've ever built

Nobody talks about this, so we will: silent disco is quietly one of the best dance-floor formats for sensory-sensitive folks, hearing-impaired folks, older folks, kids, and every person who has ever left a club early with a headache.

I have a cousin who used to love going out dancing. She stopped going to clubs in her late 20s because the volume started triggering migraines. We brought her to Casamoré's third sunset last summer, half-expecting her to leave at the first drop. She stayed for the whole set. At the end of the night she said — and I'm going to remember this forever — 'this is the first time in ten years I haven't had to pick between dancing and my head.'

Silent disco, it turns out, is quietly one of the most inclusive dance floor formats on earth. And almost nobody markets it that way. So I'm going to write it down here, because I think it matters.

For sensory-sensitive folks: you control the volume. It's a physical dial on the headset. You can turn it down to a whisper or you can take the headphones off entirely and just be on a beach with your friends. Nobody can overload you without your permission. Our regulars with autism, ADHD, and PTSD have all told us some version of 'this is the first club I've ever felt safe in.' That is not a pitch. That's the dial.

For hearing-impaired folks: the headset is essentially a personal PA system pointed directly at your ears. A couple of our repeat houseguests wear hearing aids with a Bluetooth loop, and they report that the silent-disco headsets actually sound cleaner than a club PA ever has for them. Because there's no room noise to filter out, their aids don't go into battle mode. They just hear the music, flat and direct, the way everybody else does.

For kids and older folks: there is no bass pressure in the room. A regular nightclub has a physical sound pressure level that is not safe for small children and is often exhausting for anyone over 60. A silent disco has the ambient noise of a library. We've had 9-year-olds and 79-year-olds on the same dance floor — often related to each other — and neither one of them is being assaulted by the room.

And for everybody who has ever left a club early with a headache, or had to step outside to have a conversation, or lost a friend in the noise, or gone home hoarse from screaming to be heard: silent disco is the format that took those problems and made them the user's call instead of the venue's. You want to talk? Pull off one ear. You want to scream-sing? Put the headphones on. You want to hear the waves? Pull both off. Your night, your volume, your choice.

I don't think we have a grand plan to be an 'accessible dance floor.' I think we're just running the format the way it was designed, and the format happens to be kind. But when I see my cousin on the sand with her headphones on and no migraine, I think — for the first time in my professional life — we might be building something that actually makes dance music bigger instead of smaller. That's worth saying out loud.

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